Poirot

Lafarin

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Created
1 year, 11 months ago
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“I’m only here for the plot”, says detective Poirot, entering the crime scene.

Full time detective • Part time writer



Poirot becomes a detective just because it gives him more ideas to further his writing. He only accept cases that interests him.

His books are bestsellers, not because they’re good, but because people hated them. They buy his books just so they can complain how ridiculous and confusing they are. The sales are good but the reviews are horrible.

Poirot is pretty nonchalant. He is very confident and held himself highly. People find him too spontaneous and random which makes him hard to deal with. His thought process and actions are hard to follow as well. Clients often question his ability as a detective when they first met him since it looks like there’s nothing in his head and that he seems to take everything lightly, however, that might not be the case.



He is smart but very weak. He gets exhausted just running upstairs, let alone chasing criminals.
To save his energy and magic, sometimes Poirot use regression magic to transfigure himself into his younger form. (Shota form)

”I’m paid to investigate, not to arrest“ Poirot nods at Monet before leaving the crime scene (and the criminal, running loose) .



Poirot picked up Monet who was badly injured and seems to lost her memory. He told her to leave when her health recovers but she never leaves. She later becomes his muscle and bodyguard.

Monet past is never mentioned or brought up. Poirot never asks. It’s unclear whether he actually already figured out her past by himself, or just doesn’t care.


DON’T DRAW HIM AS A SHOTA - YOUNG BOY. Please adjust his age so he looks older like the 4th artwork.