Donna de Hachette

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Donatienne-Ninette Pénélope Bombelles-Tonnelier


Last edited 1/26/20

Portrait of the Comtesse at approximately 14 years old. All other images of her were destroyed following the incident.


Known As Donna de Hachette

Born February 14th, 17XX

Orientation Lesbian

Occupation Philosopher

Relationship "Confirmed Bachlorette"

Disciplines Feminist Phenomenology

Libertarianism

'Tonnelierist thought'

Theme info

Donatienne-Ninette Pénélope Bombelles-Tonnelier, comtesse de Hachette (February 14th 17XX - July 31st 18XX) was a French libertine philosopher known for her controversial feminist theory and the violent allegorical narratives she used to explain her work. She was imprisoned in the Bastille for much of her adult life before reportedly making a suicide pact with fellow prisoner Lupina Alzamora, though neither body was ever found. Her writings were considered lost up until 20XX, when an anonymous source translated and published her entire body of work online. Following this, a pseudo-religious academic fringe group, the Tonnelier Escapists, formed around her idealogy and is still active to this day. Many Tonnelier Escapists refer to her by her "true name", BOYD.

Early Life and Arrest


Donna de Hachette was born February 14th, 17XX, to Comte Sébastien Bombelles de Hachette and his wife Margueritte Tonnelier at their home in what is now Rennes, France. In the beliefs of Tonnelier Escapism, a large tree on the property was struck by lightning and burned down the moment she was born, but there is no historical documentation to corroborate this. Complications from her birth required Margueritte to undergo a hysterectomy shortly afterwards, so Donna was an only child and the sole Hachette heir. By all accounts, Donna enjoyed all of the comforts of a noble-born childhood; all academic endevors to evaluate her upbringing through the lens of the 18XX incident at the Bastille have provided no clear indication that something may have gone wrong. She was educated at home and reportedly had few close peers, though did not seem distressed by this, preferring to spend her time alone in academic or artistic pursuits. Notably, she was deeply hostile to her male relatives from an early age and often refused to associate with them.

Donna began acting out as she entered her teen years, her first brush with the law coming shortly after her father's death from a mysterious throat ailment now understood to have been esophegeal cancer. Donna had become fascinated with her mother's hysterectomy scar, and wrote numerous philispohical takes on how she imagined the operation having gone backed up by gruesome details from a medical textbook she had stolen from one of her father's doctors. With the help of her maid, she published this manuscript anonymously under the pseudonym Panakos. The book caused public outrage, and there was a call to find and arrest its true author. Signs started pointing to Donna, and her mother was forced to pay off local law enforcement in order to keep them from arresting her daughter. Horrified, Margueritte ordered that every copy of Donna's book be destroyed, and attempted to stop Donna from writing any further by forbidding her access to ink or paper. This did not stop Donna, who would simply steal these things from the house or elsewhere in town, and would write instead on the walls of her room or on the inside of her dresses. What this did accomplish, though, was creating a deep rift between Donna and her mother which would never fully heal. Following this incident, Donna became even more absorbed in her independent pursuits. In her writing, Donna became increasingly critical and pessimistic of varying institutions, specifically religion and the organized family. Much of her writing derided the constriction these institutions placed on women, drawing from her own experiences, her mother's experiences, and the experiences of the working women in her home that she would interview. She continued to publish anonymously, but did not ganer the same scandal her first manuscript had.

At 18, Margueritte sought to arrange a courtship for her to ensure the continuation of the Hachette line, which proved disasterous for everyone involved. Donna would refuse to engage with suitors her own age beyond the initial contact persuaded by her mother, and would actively retaliate and protest against men older than herself that her mother presented her to. After physically attacking and scratching out the eye of a neighboring marquis, Donna was placed on house arrest (once again a sentence lessened by her mother's money) for six months, and afterwards was sent to a rehabilitative school in the countryside where she could discreetly be educated in the proper ways of a young person in her social standing. It was here that she first met Prince Laurentin Mazarîn XIII, who had been been similarly sent to the school in secret because of his 'inverted tendencies'. Laurentin was frightened and fascinated by Donna's writings, and Donna was not disgusted by him as she was most men but instead pitied him, and tolerated him because of his decidedly more effeminate nature. They formed a reasonable acquaintanceship, which would later end up coming back to bite the two of them.

In the two years Donna was away at school, Margueritte was approached by the King of France out of desperation with his own situation in procuring an heir. Laurentin was his youngest child and only son, and was terrified of women in much the same way Donna was repulsed by men. Laurentin had written his father of his friendship with Donna, so the King had jumped at the opportunity and offered Margueritte considerable financial compensation and favor in the French court if she permitted Laurentin to impregnate her daughter. Margueritte accepted such an offer and arranged without Donna's knowledge for the event to take place once she returned from school. Donna was predictably horrified by this, and violently refused, even if the face of threats from the King if she did not comply. She held her ground and refused. Months later, the King had Donna arrested on fraudulent blasphemy charges, alleging that she had publically masturbated with a cross. Reputation firmly ruined, Donna was sent to the Bastille and informed privately that she would be free to leave as soon as she agreed to carry the Prince's son. Donna replied that she would prefer to rot in prison than do such a thing, and so remained in the Bastille for the seven years until the incident, writing all the while.

"Escape" from the Bastille


Time in the Bastille

Donna stayed in the Bastille for a total of seven years. She was initially combative and refused to comply, but after recieving routine physical punishment from the guards she softened slightly into a purely verbal and passive-agressive dissention. She continued to write an impressive amount of material, often declining her permitted time out of her cell in order to do so. When she attempted to distribute her writings to other female prisoners, she was punished by having her writing utensils taken away, but as before she adapted to this by stealing from or trading with other prisoners, and by writing on such surfaces as her bedsheets, clothes, and the walls of her cell.

She had few visitors during her time in the Bastille. Her mother never came, nor did other more ditant relatives. She was visited faiely regularly by Laurentin, but these visits were mediated reminders organized by the King to get Donna to comply with the arrangement she had been dragged into. Laurentin suggested that during one of these visits the two of them simply pretend to sleep together, but Donna refused to do even that on principal. Still, these visits caused Donna and Laurentin to grow considerably closer over the years. Donna tried and failed to pursuade Laurentin to publish her writings under his own name, but frequently loaned him her manuscripts to read which he would then return to her later.

Meeting Alzamora & Introduction of Escape Ritual

Lupina Alzamora was arrested five years into Donna's indefinite sentence. They were kept in close proximity due to being arrested on the same charge (blasphemy). Despite their seeming opposing ideals, Donna being an outspoken atheist and Lupina being a devoted nun, they found common ground in the shared experience of their unjust arrest and quickly became very close. Donna had never had a close female friend, or even really a close friend period, before this. When rumors started to spread among the other prisoners that the two of them were in a romantic relationship, attempts were made to keep them spearated from one another, but they were largely unsuccessful; Donna and Lupina spoke to one another through a small hole in the wall of Donna's cell.

After being kicked in the head by a guard during one of her convulsions, Lupina had a vision of God in which she recieved knowledge of the practice that would later become the "escape" that makes up a core pillar of Tonnelier Escapism. This knowledge allegedly caused a physical transformation in which Lupina's hair turned pink and became dramatically shorter, and caused her to dsicard her previous identity as both a nun and a woman and become the genderless prophet GOSHUA. GOSHUA was granted the gift of all knowledge, and sought out Donna to inform her that they now knew the true circumstance of Donna's arrest (which she had been forbidden to share), and that God had told them how Donna could be liberated not only from the Bastille, but from her contraining social position as a whole. GOSHUA informed Donna that in order to accomplish, she had to eat all of her writings. Donna was incredulous, but accepted the offer and began the ritual.

Donna Undergoes The Ritual

Donna struggled at first to complete the ritual, both intellectually hesitant to destroy her work and repulsed physically at the thought of eating not only such a vast amount of paper, but also cloth and stone and other such materials she had written upon. She also wished to continue writing even during such a process. Once Donna had begun, though, it quickly became easier and easier for her. Towards the end of the ritual, she even began to forgo normal food and subsisted only on eating her own work. It took Donna a total of sixteen days to complete the ritual.

During the process of the ritual, Donna's behavior and beliefs became progressively more erratic and delusional. Though she never directly spoke to God as GOSHUA had, she had frequent hallucinations of an "escape plane" which was the place she believed she and GOSHUA would inhabit once they had successfully completed the ritual. She also began to have similar delusions to GOSHUA of expanded knowledge, and reveled in the personal information she could discern from her fellow prisoners simply by looking upon them. In her writings, Donna reports also a feeling ofa heightened awareness of her body in relation to the universe, and that this awareness was distressing to her. Her writing during this time became similarly erratic and bizzare; as with her mother's scar when she was a child, she became fixated on specific images around her and wrote about them extensively, such as the hole in her wall or various spiders that inhabited her cell.

She frightened Laurentin during a visit by acting in this erratic manner, as well as revealing knowledge of aspects of his life he had never revealed to her, most damningly his sexual relationships with various other men. He mentioned his concern for her to his father (fudging some details of what exactly she had said to him), thinking this would convince him to release her as it seemed to him that her time in the Bastille had destroyed her mind. Instead, the King moved to organize for Donna's transfer to Charenton asylum. At this point in the ritual, Donna and GOSHUA could not be separated, so they moved to complete the ritual as soon as possible.

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