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EDGAR ROESBUCK
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πΆπ΄π½π³π΄π: π΅πππππ π°πΆπ΄: πΏ8 π’/π π·π΄πΈπΆπ·π: π·52ππ (ππππππ‘. π»'0") |
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ππΏπ΄π²πΈπ΄π: π ππππππ (π²πππ π½ππππππππ) ππΎπ³πΈπ°π²: π²ππππππππ π· πΎ πΌ π΄ π πΎ π π½: π»πππππ, π΄ππππππ |
PHYSICALΒ | SOCIALΒ | MENTALΒ |
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Prior to her embrace, Edgar operated under the guise of the stereotypical socialite - air-headed, narcissistic, bitchy. After her death she was able to drop the act and instead don the personality she previously reserved for work. Polite, efficient, and direct, Edgar comes into every conversation with a plan. Any requests, any invoices, any pieces of blackmail to be exhibited - everything was decided days and weeks in advance. She has information to broker, time cannot be wasted on pleasantries and playing 'the game'. If the game is necessary, of course, she obliges, albeit masking her impatience under etiquette tempered nearly century ago. She considers herself a force of good, for what its worth. Moral ambiguities that spring from her condition are irrelevant when compared to her line of work - or so she tells herself. In truth, her desire to inspire justice in human society has dimmed. Knowledge is merely something to entertain herself with - blowing the whistle on things out of curiousity of what will happen just as often as for "moral" reasons. |
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The daughter of a military officer and his headstrong wife, Edgar experienced a priveleged upbringing. This privilege eventually awarded her a certain degree of fame following the Great War as a budding young socialite. This position afforded her many things, but none so important as information. Following the wrongful death of her elder brother, Edgar was instilled with a strong sense of justice - justice that logically lead to a form of revenge. Using her connections, she would subtly coerce incriminating information from her peers, typically about their parents, and reroute it to interested parties under the penname "Cinderella". Her actions as Cinderella brought her to the attention of a Nosferatu elder who, after months of surveillance, reached out under the guise of being a client. On her way to the drop-off, she was ambushed by the man who would become her sire. Edgar Roesbuck disappeared in 1921, never to be seen again. Or so the public thought. In her unlife, "Cinderella" is far more useful than she ever was. Information is obtained, databases are updated, notebooks are filled and shredded with some regularity. If you need information, she's got it. The challenge is finding her. After all, if you want something, you must reach out for it first. |
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Aubrey EwingΒ | SireΒ Β Edgar's sire. A Nosferatu drifter who, while laying over in London, became increasingly interested in the person behind "Cinderella". Initially Edgar held hostile feelings toward him, however after her official introduction into Kindred society and the realization that her work could continue indefinitely in her unlife her feelings toward her sire developed into more mentorial one. Although Aubrey left shortly after her graduation to neonate, the two keep in limited contact.
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