I really like this piece. I don't know the context, but I can absolutely imagine this as a parchment from a mysterious statue, as ancient poetry, as a paean from a foreign culture. I really enjoy the poetry of your word choice and especially the contrasts you chose: hellfire, paired with a word usually associated with the heavenly, radiance; petals, which usually represent life, paired with death; blissful misery; spiteful luminosity; passionate disdain; blissful kiss of decay.
The phrasing all suits the narrative of the vagrants knowingly allowing themselves to be lured by the tempting yet dangerous allure of this unknown but terrible Va'alis. It's a song of praise and warning both. These pilgrims accept their peril and celebrate it, because what she provides is worth it.
I also like the less obvious way you show that, in the off-joint rhythm of meaning. You use unexpected phrases to make the poem feel sharp and laced with danger. Phrases like striking midnight, shards of amber, and moonlight [burning] all pair concepts that might be thought of as soft with sharp sounds and meaning, meshing in with how Va'alis's allure is silky, honeyed, serpentine before the deadly strike. I enjoyed reading this piece, and it makes me curious to know more!
My excerpt is the first half of my most recent lit, Panthers (if you read the whole thing, there is some vulgar language in it). There is a homophobic slur in this part, but I'll censor it out. Neither I nor my characters condone homophobia.
The dappled late-afternoon sunlight fell over them in silence, bright gilt leaves laced with heavy shadows. Jill’s white-stockinged legs swayed as she dangled them over the old stone wall of the park.
Amber’s were perfectly still.
Jill waited. Eyes averted, she watched ants crawl over their backpacks, dropped into the dusty leaf piles guttering the cobblestones.
Her best friend was just staring off into the brown of fall, at nothing in particular.
“They can’t do this,” Jill finally started, after she could no longer stand the tightening grasp of the silence.
“It’s a Catholic school,” Amber answered, voice low, broken. She sounded both stunned and unsurprised at the same time. Resigned.
The expulsion of Jeannie and Kayla in the year above them had rocked the school, of course, in the nasty schadenfreude way of anything negative happening to any among the inmates at that particular religious prison. The sweet-faced girls in shining gold crosses who threatened accusations that anyone they didn’t like was a [lesbian]-- and it was a threat, calculated and deadly, cherry-balmed lips spitting the word with savored venom-- certainly weren’t feeling any sorrow about the event. It almost didn’t matter which of them had been the rat. It could have come from anyone, when the accusation also served as self-defense.
But the news affected some girls more than others.
Jill soldiered on, indignant, uncomprehending. “Yeah, but they can’t just expel people for things girls are.”
“They can.” Amber’s voice was monotone.
Silence stretched on for a long moment. Sparrows hopped around the stones.
Jill’s voice was lower, emotional. “They won’t get you.”
Thank you!!