Aelli Miro

TenMomentsTill

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Created
11 months, 7 days ago
Creator
TenMomentsTill
Favorites
3

Profile


This character is a work in progress. Information may be missing or incomplete.

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  • "I'm not a person, I'm a work of art"

  • Name Aelli Miro
  • DOB 1646, March 20
  • Gender it's complicated
  • Pronouns he/him
  • Orientation it's complicated
  • Species Naiad (undead)
  • Height 6'0"
  • Build long limbed, barrel-chested
  • Profession voice teacher/composer
  • Theme/Playlist ?
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Appearance


A notable figure in the room being tall, with long limbs and a barrel chest; Miro sometimes gets compared to a swallow with how he's shaped. Miro runs exclusively in upper class circles due to his work, and dresses in whatever is in fashion in order to fit in. He likes the colours gold and blue, as well as slightly muted tones, and wears them whenever he is able. He changes his hairstyle often, but prefers to part his wavy light blonde hair, slightly off center. His eyes are a pale blue and have long eyelashes. Miro is considered very effeminate by Isador's standards with his androgynous voice and soft facial features.

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Personality


Genial, well spoken, and hard to upset, Miro has always been good at getting others to like him. Or, at least tolerate his presence. Miro is a manipulative person in the sense that he actively makes subtle gestures to stay in the good graces of important people in order to assure his safety in the future. Isador is not a hospitable place for someone like him, and Miro is painfully aware of the fact.

Miro has very niche areas of intelligence and struggles to learn things outside of those areas and will quickly give up in part due to past treatment. He often uses his lack of knowledge to portray himself as being dumber than he actually is in order to make himself seem harmless. Miro does view himself as somewhat stupid, but hardly cares. He's talented at music, church history, and social skills, it doesn't matter if he's skilled at anything else.

Being raised to be a singer for religious services and made into an undead to preserve his voice, has given Miro a unique view of his own personhood that he rarely voices in Isador. Miro was considered to physically be a part of the church, his body being an instrument and a holy object, making him not truly a person. Miro dislikes acknowledging it, and will only hint at aspects of the feeling to others, but he is deeply saddened about the whole situation his life is in now. His home country is now an irrelevant vassal state, the religious practice that made him is defunct and only a handful of singers like him exist still. He lives well in Isador, but he wants to go home. But the place he misses doesn't exist anymore and never will again. He's become a relic of the past.

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Likes


  • stained glass
  • shells
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Dislikes


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History


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Trivia


  • Most of his early work as a composer is lost. His most famous work is for a play that he work specifically to showcase the singing voice of one of the Lovelorns.
  • Used to perform under the stage name of Mirii. Mirii is a name that's normally used as an affectionate effeminate nickname.
  • Very rarely preforms on stage anymore, and sings for others on occasion. He still composes a little, but majority of it is under a penname. Most of his musical ability is focused on being a voice teacher.
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Notes on Drawing


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Relationships


Minerva Lovelorn

Distant Friend


They used to be better friends prior to Miro being fired. Miro guesses that Minerva's anger at the situation her daughter caused is partially spilling over onto him and that he found a new employer without speaking to her first has damaged their friendship in a way that can't be repaired.

Erda Lovelorn

Hated Former Student


He hated her as a student and even more as an employer.

Loveless Lovelorn

Neutral Acquaintance


The two run into each on occasion during social events, and haven't talked much past basic pleasantries. Miro is aware of the reputation surrounding Loveless and mostly avoids him when he is able. Miro thinks it's rather sad how Loveless turned out, Loveless was a sweet child and probably would have grown up to be a fantastic singer if the situation had been different. He'll admit that Loveless is good at being a cobbler and an enchanter, but it feels like a waste of talent.

Laplace

Uneasy Friend???


Miro first met Laplace when they were costars in a play. He finds Laplace to be a unique and intriguing individual. As well as they do get along though, Miro isn't fully able to get past the sensation that Laplace is a very dangerous individual. Behind the veneer of charm and charity there's something unnerving about the man. Miro is unsure if Laplace has changed over time or he simply didn't notice at first.

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an edited version of themes by vom and watergems