/whoops this got long as hell hehe/
As promised. Heron really wasn't sure she'd take him up, but here they are, in the place with all her instruments. This little sanctum. He watches with curiosity as she goes to her harp--truly, this is the instrument he'd hoped she'd pick. It's the most interesting. But she does hesitate. Nervous? Poor thing.
"Pretend I'm not here." Heron takes a seat, folds his arms, and closes his eyes. He doesn't need them for this anyway.
Solita begins. She seems tense at first, but as she plays, the music soothes her--flows more easily from her fingers. She plays a mournful, wordless song--bittersweet. There's always something about a harp which is so ethereal, and she commands it well, at least to his inexpert ear. Truly, she's learned all of this all alone? He opens his eyes just a crack, and sees that hers are closed.
He knows how vulnerable it is to have an audience. It never stops being vulnerable, even when you've done it a thousand times. That's the terror of it, but also the appeal--it's like a drug. To open yourself without words and without touch. To be known in a way which transcends both. It's dizzying sometimes--even still, even for him. He wonders if she feels that at all, or if she finds more comfort in receding into her self--indeed, pretending he wasn't there. He would not blame her for that. Even so. The song is there for him to hear it all the same.
Her music is so different to his--his is most often a primal scream of grief or rage or ecstasy. Hers is sweet and delicate: gentle sobs, gentle laughter. All the emotion she did not embody was embodied here. And her melodies ache with loneliness--a reaching for something which never existed. An exhalation of pain. Their music is similar in that.
And when the last of her song fades, it takes a few seconds for them both to look up at each other. She looks... so sad in this moment. What goes up must come down.
...Ah. Time to say something.
"Lovely," he says quietly. "Thank you. For sharing." Language is, as usual, laughably inadequate. I could feel your soul. There's nothing sensible to say, and so he does not say anything. He takes another deep breath, to ground himself on Earth again. He means what he says, though. But. There's a second's hesitation, before he gestures to the guitar in the corner--her guitar. May I? And picks it up. Here. Another nice thing.
"Give me a G," he murmurs, and quickly checks his tuning against hers. "I don't suppose you get the chance to play with others much." He looks across to her again. Gauging her reaction--whether this was appropriate at all. He could soliloquise on the importance of this. On the sacredness of it. The fact it is the most pure form of Being. Or he could just show her. "Go on. Play."
Hesitatingly, she begins a new song, and after a moment, he joins her. There will be no ignoring his audience now, since he's audience and player both, and so is she.
Heron's not much of a classical guitarist, nor are his nails long enough for the task, but Solita's music calls for something lean and vaguely contrapuntal, so that's what he tries, picking with his fingers. No doubt he's breaking all the rules--Bach would be disgusted in him, but thankfully he's not here to listen. Heron's never played alongside a harp before. Too used to the conventions of more contemporary music with its driving rhythm and volumes like a knife in the skull. He watches her fingers--he's not familiar enough with the instrument that he can see what note's she's going for before she plays it, but that's what ears are for. He's watching how her energy ebbs and flows with the music, a gentle tide. And he adds a weaving melody to hers. Sways with that tide. The approach required is so different to what he's used to--for both of them no doubt--it's energising, seeing these lights with new eyes.
She takes to this idea quickly, just as he'd hoped--this was not a given; some people just do not know how to give as well as take. In fact, soon Solita starts to spend too long in spacious patterns for him to play over--all give. Ahh, no you don't. Heron coaxes her out by stripping back his accompaniment even more, until she takes the fore with melodies of her own. Good girl.
There is no easier way to lose oneself than in playing with other people. Playing by oneself is a wonderful diversion, yes, but music is made to be shared. It is made to unify people. It is the only good thing there is about being human at all. And it's fucking heartbreaking that she gets to experience this as rarely as she says.
Eventually, their final notes fall to silence. And once again, it takes them both a second to move, and to look up at each other. Heron smiles a little when they do. Fun, right?
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@NP, Heron is most comfortable on an electric guitar, but he'll play an acoustic if that's what's going. 👍
He's an shithot blues guitarist, but also gravitates toward funk and soul and rock in general... ok whiteboy. But he is good. If you're compatible player, he'll get sportingly competitive. If not... well, he'll try and make something work anyway. He's down for anything, music is his entire life and singular permitted source of fun.
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/omg that was wicked thank u!!! I don't think I can follow up but I loved reading your post <3 Heron would be more than happy for another jam after that hehe/